The JX-3P Software Synthesizer is a detailed, component-level replication of the six-voice JX-3P released in 1983. With the JUNO-60 Software Synthesizer, you get the full authentic experience of this legendary keyboard in a modern software instrument. It introduced stable tuning via digitally controlled oscillators and dished out warm, punchy synth sounds by the bucketload. The Roland JUNO-60, released in 1982, helped define the sound of the ‘80s and is highly prized for its vintage vibe and unmistakable character. This meticulous plug-in reproduction is accurate down to the circuit level, while also enhancing the original spec with modern features. Its lush strings, complex leads, and other signature tones have appeared on classic tracks and seminal albums for over 40 years. Released in 1981, the JUPITER-8 is one of the most celebrated and sought-after polysynths of all time. Introduced in 1978, the JUPITER-4 kicked off the storied legacy of Roland analog polysynths and sounds exactly like you’d expect-warm, fat, and evocative of synth pop, new wave, and other emerging styles of the era. The JUPITER-4 Software Synthesizer is an authentic recreation of the first synthesizer to carry the iconic JUPITER name. We then use this information to recreate the authentic circuit behaviors of the vintage instrument-including all the beloved quirks and instabilities-giving these synths their amazingly lifelike sound and organic response. The ACB process involves carefully analyzing original hardware units, circuit diagrams, and other historical data. Thanks to our proprietary circuit modeling technology, these classics are ready to imbue your tracks with retro energy and fuel tomorrow’s masterpieces. And going further, they also offer lots of extended functionality to meet the needs of today’s workflows. These recreations sound and behave exactly like the original hardware with stunning accuracy. Their impact cannot be overstated, and they continue to drive the creative visions of musicians and producers to this day. The OB-X was fully programmable and significantly more compact than the Oberheim Polyphonic.ĭespite their maintenance cost and rarity, Oberheim Polyphonic Synthesizers are still adored by many musicians today for their characteristic sonic 'thickness' and 'depth' caused in part by the random variance between each SEM module.The legendary instruments in this collection helped shape the sound of entire music styles and have appeared on more famous tracks than you can count. The Oberheim Polyphonic was later outdated by a new line of microprocessor-controlled Oberheim synthesizers, beginning with the OB-X. There was an optional Polyphonic Synthesizer Programmer module (PSP-1) for the four- and eight-voice models with 16 memories, which allowed the user to store and recall some sound settings of the SEMs, and you could glide from one note or chord to another using portamento. Each SEM in an Oberheim Polyphonic generates one voice (or note). The Oberheim Polyphonic Synthesizer was born. By strapping two, four, or eight of these SEMs together under keyboard control, he was able to create practical, albeit large, synthesizers that could play two, four, or eight notes simultaneously. Oberheim took the idea and electronics of a Minimoog synthesizer and put them in a small box, making a few changes, and in 1974 introduced the SEM (Synthesizer Expander Module), which became the building block of his polyphonic synths. It was developed by Tom Oberheim, and was the first production synthesizer capable of playing chords. The Oberheim Polyphonic Synthesizer is a range of analog music synthesizers that was produced from 1975 to 1979 by Oberheim Electronics. Low, band, high, notch filter w/ resonance Four Voice: US$4,295 ($5,690 with programmer)Įight Voice: US$7,790 ($10,185 with programmer)Ģ VCOs per voice with sawtooth or variable-pulse waveforms
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